Bill Text: IL HR0815 | 2011-2012 | 97th General Assembly | Introduced
Bill Title: Honors Richard Howard Hunt for his many achievements as an artist.
Sponsorship: Partisan Bill (Democrat 1)
Status: (Passed) 2012-02-28 - Resolution Adopted [HR0815 Detail]
Download: Illinois-2011-HR0815-Introduced.html
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| 1 | HOUSE RESOLUTION
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| 2 | WHEREAS, The members of the Illinois House of | ||||||
| 3 | Representatives are pleased to congratulate Richard Howard | ||||||
| 4 | Hunt for his many achievements as a sculptor; and
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| 5 | WHEREAS, Richard Hunt was born on September 12, 1935, in | ||||||
| 6 | Chicago; he attended Chicago Public Schools before attending | ||||||
| 7 | the University of Illinois in Chicago; in 1953, he attended the | ||||||
| 8 | University of Chicago; in 1957, he earned his bachelor's degree | ||||||
| 9 | in art education from the School of the Art Institute of | ||||||
| 10 | Chicago; from 1957 to 1958, he traveled and studied in England, | ||||||
| 11 | France, Spain, and Italy under the Art Institute of Chicago's | ||||||
| 12 | James Nelson Raymond Foreign Travel Fellowship; and
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| 13 | WHEREAS, Richard Hunt served his country as a member of the | ||||||
| 14 | United States Army from 1958 to 1960; and
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| 15 | WHEREAS, Richard Hunt is well known throughout the world | ||||||
| 16 | for his abstract sculpture; he began sculpting in his teens, | ||||||
| 17 | modeling in clay and carving in his bedroom at home; he later | ||||||
| 18 | created a studio in the basement of his father's barbershop; as | ||||||
| 19 | a teen, he was intrigued by metalwork at the African collection | ||||||
| 20 | of Chicago's Field Museum of Natural History, where his mother, | ||||||
| 21 | a librarian, frequently took him; his work in a zoological lab | ||||||
| 22 | at the University of Chicago during high school and college | ||||||
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| 1 | contributed to his fascination with animal and insect forms; | ||||||
| 2 | and
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| 3 | WHEREAS, From 1953 to 1957, Richard Hunt attended the Art | ||||||
| 4 | Institute of Chicago, where he focused on sculpture, especially | ||||||
| 5 | welding, and studied lithography; while at the Institute, he | ||||||
| 6 | was exposed to the work of the sculptors Julio Gonzales and | ||||||
| 7 | David Smith, to whom he has attributed inspiration to use | ||||||
| 8 | direct-metal techniques to transform steel, aluminum, copper, | ||||||
| 9 | and bronze into sculpture; using a welding torch as his mallet | ||||||
| 10 | and chisel, he transformed found objects, scrap metal, and auto | ||||||
| 11 | parts found on industrial sites into plant-like and insect-like | ||||||
| 12 | forms; in 1959, he won his first award at an annual show for | ||||||
| 13 | artists at the Chicago Art Institute; and
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| 14 | WHEREAS, By 1960, Richard Hunt had become a major | ||||||
| 15 | open-form, direct-metal sculptor in the art world; at this | ||||||
| 16 | time, he began to combine closed with open forms, calling them | ||||||
| 17 | "hybrid figures"; in the 1970s, he added inventive Baroque | ||||||
| 18 | flourishes to his forms so that solids seemed both to penetrate | ||||||
| 19 | voids and to be penetrated by them; he later began to gradually | ||||||
| 20 | move away from his early calligraphic work, instead turning to | ||||||
| 21 | closed contours and solid shapes; and
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| 22 | WHEREAS, Richard Hunt has produced more than 130 public | ||||||
| 23 | site specific sculptures, including a cross and candelabra for | ||||||
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| 1 | St. Matthew's Methodist Church in Chicago in 1970, Fight Forms | ||||||
| 2 | for Midway Airport, and freeform for the State of Illinois | ||||||
| 3 | Office Building (now James R. Thompson Center) in Chicago; he | ||||||
| 4 | has created many other sculptures, color lithographs, and | ||||||
| 5 | drawings, including memorials to Martin Luther King, Jr. and | ||||||
| 6 | the Freedmens Bureau; he has also recently been chosen to | ||||||
| 7 | create a commemorative for Ida B. Wells in Bronzeville in | ||||||
| 8 | Chicago; and
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| 9 | WHEREAS, In 1971, Richard Hunt became the first | ||||||
| 10 | African-American sculptor to be accorded a retrospective at the | ||||||
| 11 | Museum of Modern Art in New York; throughout the years, he has | ||||||
| 12 | received Guggenheim, Ford, and Tamarind Fellowships, and | ||||||
| 13 | awards from the Art Institute of Chicago, including the Logan, | ||||||
| 14 | Palmer, and Compana prizes; he holds numerous honorary degrees | ||||||
| 15 | from prestigious universities and has been elected to | ||||||
| 16 | membership in the American Academy of Arts and Letters and the | ||||||
| 17 | National Academy of Design; he has also served on the National | ||||||
| 18 | Council of the Arts, as a commissioner of the Smithsonian | ||||||
| 19 | Institution's National Museum of American Art, and as a juror | ||||||
| 20 | for Maya Lin's Vietnam Veteran's Memorial in Washington, D.C.; | ||||||
| 21 | and
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| 22 | WHEREAS, In 2008, Richard Hunt became the inspiration for | ||||||
| 23 | the "Richard Hunt Fine Arts Room" within the newly-built campus | ||||||
| 24 | of Christ the King Jesuit College Preparatory High School in | ||||||
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| 1 | order to give young people the opportunity to pursue the fine | ||||||
| 2 | arts and motivate them through his extraordinary example of | ||||||
| 3 | creativity and his artistic vision; and
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| 4 | WHEREAS, Richard Hunt serves as a model of hard work, | ||||||
| 5 | integrity, and dedication for the people of the State of | ||||||
| 6 | Illinois; therefore, be it
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| 7 | RESOLVED, BY THE HOUSE OF REPRESENTATIVES OF THE | ||||||
| 8 | NINETY-SEVENTH GENERAL ASSEMBLY OF THE STATE OF ILLINOIS, that | ||||||
| 9 | we congratulate Richard Howard Hunt for his many achievements | ||||||
| 10 | as an artist and thank him for serving as an exemplar in the | ||||||
| 11 | African-American community and as a source of inspiration | ||||||
| 12 | during Black History Month; and be it further
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| 13 | RESOLVED, That a suitable copy of this resolution be | ||||||
| 14 | presented to Richard Hunt as a symbol of our esteem and | ||||||
| 15 | respect.
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